
Gold Adornments of Princess Ukok
5th Century BCE, Siberia

Thinking Through Henri Bergson (1859-1941)’s “Creative Evolution”
Essence: Royal Afterlife Prestige as Temporal Resurrection
The gold adornments found with the mummified remains of the Princess of Ukok—bracelets, belt plaques, and intricate headpieces—are not mere funerary objects but vital temporal bridges, expressing a nomadic metaphysics of becoming beyond life and death. From the perspective of Henri Bergson’s metaphysics, these golden items are crystallizations of memory—not personal, but cosmic memory as a force shaping form across eons.
The intellect may catalog them as artifacts of Scytho-Siberian prestige: material wealth entombed with a royal elite for status in the afterlife. But intuition perceives something deeper: these adornments are temporal vectors, symbolizing the persistence of creative force through cycles of nature, transmutation, and rebirth. The princess does not “die”; she participates in duration, her being extending through layers of seasonal migration, kinship, and elemental union with mountain, sky, and animal.
The animal motifs—griffins, deer, snow leopards—engraved or embossed in gold, are not ornamental but signatures of instinctive evolution, images condensed by the élan vital in its journey through animal, human, and mythic states. Each item on her body functions as a ritual condenser, aligning personal destiny with cosmic recurrence.
Bergson writes that memory is not a passive imprint but an active virtual co-presence of all pasts with the present. Thus, the adornments are not simply relics of who she was—they are her continued becoming. When discovered in the permafrost after thousands of years, they did not resurrect her; they revealed that she had never truly ceased to become.
These works of gold are acts of temporal preservation that transcend utility or opulence. They encode time as continuity—not static linear succession, but flowing, returning, inflecting. They are not about immortality as fixed endurance, but immortality as dynamic persistence.